الأمين برس

يدخل رسميا فيلم "10 ايام قبل الزفة" يمثّل اليمن في سباق الأوسكار لأفضل فيلم أجنبي ، بحسب ما أورد موقع "عدن تايم" الإخباري المحلي.

وزف فريق العمل في الفيلم البشرى امس بدخول الفيلم المحفل السينمائي العالمي الكبير لأول مرة في تاريخ السينما في عدن .

وحظي الفيلم باكبر مشاهدة داخل عدن من خلال عرضه في قاعتي افراح لعدم توفر دور السينما وبلغت العروض حتى الشهر الماضي 44 ألف عرض حسب مخرج الفيلم في تكريم نظم مؤخرا برعاية بانافع للعود ومازالت العروض مستمرة في قاعة ليلتي بالمعلا.

المصدر كما ورد ويبين دخول الفيلم محفل اوسكار رسميا والبلدان المشاركة :

Confirmed: 10 DAYS BEFORE THE WEDDING will represent #Yemen in this year's Best Foreign Language #Oscar race.


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The Academy of Motion Picture Arts and Sciences (AMPAS) announced the nations who have submitted entries for the Foreign Language Film Oscar this morning. This year there are 87 entrants for 2018 which is down from last year’s record 92, but still higher than the 85 contenders in 2016. African nations Malawi and Niger are participating for the first time.

There were few surprises on the list as most of the major competitors had already been announced by their respective countries. Alfonso Cuaron’s “Roma” (Mexico), Pawel Pawlikowski’s “Cold War” (Poland) and Hirokazu Kore-eda‘s Palme d’Or winner “Shoplifters” (Japan) are the frontrunners.

The 87 entrants will be screened by members of the Academy in Los Angeles. A shortlist featuring six popular vote winners and three Foreign Language committee “saves” will be announced in December. In January, pre-selected members in New York and London, as well as Interntional members who live outside the U.S., will be asked to screen the shortlisted films to determine the five final nominees (International members will be allowed to watch them on digital screening links). The competitiveness over this award has seemingly grown reciprocally with the Academy’s global membership increasing over the past few years.

Here are this year’s official entries:

Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director;

Algeria, “Until the End of Time,” Yasmine Chouikh, director;

Argentina, “El �ngel,” Luis Ortega, director;

Armenia, “Spitak,” Alexander Kott, director;

Australia, “Jirga,” Benjamin Gilmour, director;

Austria, “The Waldheim Waltz,” Ruth Beckermann, director;

Bangladesh, “No Bed of Roses,” Mostofa Sarwar Farooki, director;

Belarus, “Crystal Swan,” Darya Zhuk, director;

Belgium, “Girl,” Lukas Dhont, director;

Bolivia, “The Goalkeeper,” Rodrigo “Gory” Pati�o, director;

Bosnia and Herzegovina, “Never Leave Me,” Aida Begić, director;

Brazil, “The Great Mystical Circus,” Carlos Diegues, director;

Bulgaria, “Omnipresent,” Ilian Djevelekov, director;

Cambodia, “Graves without a Name,” Rithy Panh, director;

Canada, “Family Ties,” Sophie Dupuis, director;

Chile, “…And Suddenly the Dawn,” Silvio Caiozzi, director;

China, “Hidden Man,” Jiang Wen, director;

Colombia, “Birds of Passage,” Cristina Gallego, Ciro Guerra, directors;

Costa Rica, “Medea,” Alexandra Latishev, director;

Croatia, “The Eighth Commissioner,” Ivan Salaj, director;

Czech Republic, “Winter Flies,” Olmo Omerzu, director;

Denmark, “The Guilty,” Gustav M�ller, director;

Dominican Republic, “Cocote,” Nelson Carlo De Los Santos Arias, director;

Ecuador, “A Son of Man,” Jamaicanoproblem, director;

Egypt, “Yomeddine,” A.B. Shawky, director;

Estonia, “Take It or Leave It,” Liina Trishkina-Vanhatalo, director;

Finland, “Euthanizer,” Teemu Nikki, director;

France, “Memoir of War,” Emmanuel Finkiel, director;

Georgia, “Namme,” Zaza Khalvashi, director;

Germany, “Never Look Away,” Florian Henckel von Donnersmarck, director;

Greece, “Polyxeni,” Dora Masklavanou, director;

Hong Kong, “Operation Red Sea,” Dante Lam, director;

Hungary, “Sunset,” L�szl� Nemes, director;

Iceland, “Woman at War,” Benedikt Erlingsson, director;

India, “Village Rockstars,” Rima Das, director;

Indonesia, “Marlina the Murderer in Four Acts,” Mouly Surya, director;

Iran, “No Date, No Signature,” Vahid Jalilvand, director;

Iraq, “The Journey,” Mohamed Jabarah Al-Daradji, director;

Israel, “The Cakemaker,” Ofir Raul Graizer, director;

Italy, “Dogman,” Matteo Garrone, director;

Japan, “Shoplifters,” Hirokazu Kore-eda, director;

Kazakhstan, “Ayka,” Sergey Dvortsevoy, director;

Kenya, “Supa Modo,” Likarion Wainaina, director;

Kosovo, “The Marriage,” Blerta Zeqiri, director;

Latvia, “To Be Continued,” Ivars Seleckis, director;

Lebanon, “Capernaum,” Nadine Labaki, director;

Lithuania, “Wonderful Losers: A Different World,” Arunas Matelis, director;

Luxembourg, “Gutland,” Govinda Van Maele, director;

Macedonia, “Secret Ingredient,” Gjorce Stavreski, director;

Malawi, “The Road to Sunrise,” Shemu Joyah, director;

Mexico, “Roma,” Alfonso Cuar�n, director;

Montenegro, “Iskra,” Gojko Berkuljan, director;

Morocco, “Burnout,” Nour-Eddine Lakhmari, director;

Nepal, “Panchayat,” Shivam Adhikari, director;

Netherlands, “The Resistance Banker,” Joram L�rsen, director;

New Zealand, “Yellow Is Forbidden,” Pietra Brettkelly, director;

Niger, “The Wedding Ring,” Rahmatou Ke�ta, director;

Norway, “What Will People Say,” Iram Haq, director;

Pakistan, “Cake,” Asim Abbasi, director;

Palestine, “Ghost Hunting,” Raed Andoni, director;

Panama, “Ruben Blades Is Not My Name,” Abner Benaim, director;

Paraguay, “The Heiresses,” Marcelo Martinessi, director;

Peru, “Eternity,” Oscar Catacora, director;

Philippines, “Signal Rock,” Chito S. Ro�o, director;

Poland, “Cold War,” Pawel Pawlikowski, director;

Portugal, “Pilgrimage,” Jo�o Botelho, director;

Romania, “I Do Not Care If We Go Down in History as Barbarians,” Radu Jude, director;

Russia, “Sobibor,” Konstantin Khabensky, director;

Serbia, “Offenders,” Dejan Zecevic, director;

Singapore, “Buffalo Boys,” Mike Wiluan, director;

Slovakia, “The Interpreter,” Martin Šul�k, director;

Slovenia, “Ivan,” Janez Burger, director;

South Africa, “Sew the Winter to My Skin,” Jahmil X.T. Qubeka, director;

South Korea, “Burning,” Lee Chang-dong, director;

Spain, “Champions,” Javier Fesser, director;

Sweden, “Border,” Ali Abbasi, director;

Switzerland, “Eldorado,” Markus Imhoof, director;

Taiwan, “The Great Buddha ,” Hsin-Yao Huang, director;

Thailand, “Malila The Farewell Flower,” Anucha Boonyawatana, director;

Tunisia, “Beauty and the Dogs,” Kaouther Ben Hania, director;

Turkey, “The Wild Pear Tree,” Nuri Bilge Ceylan, director;

Ukraine, “Donbass,” Sergei Loznitsa, director;

United Kingdom, “I Am Not a Witch,” Rungano Nyoni, director;

Uruguay, “Twelve-Year Night,” �lvaro Brechner, director;

Venezuela, “The Family,” Gustavo Rond�n C�rdova, director;

Vietnam, “The Tailor,” Buu Loc Tran, Kay Nguyen, directors;

Yemen, “10 Days before the Wedding,” Amr Gamal, director

The 91st Academy Awards will be announced on Sunday, Feb. 24 on ABC.